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Posts tagged ‘desert’

Finding a Visual Narrative in the Karoo

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Just spent a good while in the Karoo (semi-arid region North of Cape Town) finishing up 1 of my long term photographic projects ‘Karoo:  A Changing Landscape‘, along with continuing a bit more time lapse out there.  Unless I see a gap in the work in my final edit, this was my last trip out for it.  I certainly hope it will not be my last time out to the Karoo though – a place I have repeatedly said is amazing to visit and spend time in.  I was initially intrigued by the serene and timeless landscape but I def ended up going again and again for all the eccentric and amazing people there as well.   I do still have a time lapse show reel to finish up at some point so further visits are almost certainly to come.

I usually put the unprocessed images from a long-term project to one side to give me a chance to detach myself from it.  This always helps later on with the editing process but I  decided this time to put together a small edit to see if I was on the right path in general with the overall look and feel of the piece.  The visual narrative of the work has built up throughout the time I have spent on it but certainly on my latest trip I think I dug deep into the very essence of the story and the way I initially foresaw how I might tell it.

Since leaving the world of more instant news, pic library and NGO type photography I have always known that the key to any decent work would always be finding my own visual voice and signature.  I have found it interesting to see how my work has developed relatively rapidly through earlier projects such as ‘Hangberg – The Other Side‘: http://www.georgephilipas.com/gallery/hangberg/ .

I believe it is in this work though that a stronger visual signature has developed – especially on the portrait side of things.  From sex workers in Beaufort West, to sheep farmers, to city types flocking to the Karoo for the annual Afrika Burn event out there, there is a visual consistency throughout the portraits which speaks of the inherent beauty of the Karoo but also of the impending uncertainty that coming change might bring.

It is interesting how I have began to see and notice things differently than what I used to as well.  A case in point is the following pic I took while speeding back to Cape Town on the final leg of my recent journey:

Karoo_Landscape001

I saw the above scene on the side of the road as I whizzed past it at around 100km/h just north of a small town called Laingsburg.  I instantly recognised in it an earlier photo I had taken over a year ago that was very similar in nature and thought how it may fit well when placed next to each other.

Karoo_Landscape002

I didn’t stop though at the time… but it played on my mind for nearly an hour.  It was more than 60km after passing it that the feeling of an opportunity missed overwhelmed me and I turned around and went back (yep – that’s over 120km round trip to take a pic of a damn cactus in front of a railway power station).  I am not sure if I’ll even use either pic (the latter isn’t even in my first edit at the mo), but having the option there was important enough for me to turn back.  This might be more of a study of one man’s OCD rather than anything photography related but the fact I could instantly recognise the image there, is a sign of how much the way I perceive an image these days has moved forward from past work.

The next stage, once the dust has settled and I’ve done my own edit, will be to seek out a professional edit and layout before starting the challenge of marketing the project.  After all the time worked on it, I look forward (for once) to the marketing side of things and getting it out there in general!

A short, current edit of the project ‘Karoo:  A Changing Landscape’  can be seen at:

http://www.georgephilipas.com/gallery/karoo/

More Images from the Karoo

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I recently finished editing the bulk of images from my last trip to the Karoo.  The ongoing project, Karoo – A Changing Landscape can be viewed on my website at:  http://www.georgephilipas.com/gallery/karoo/

A quick first edit of ‘The Karoo – A Photographic Odyssey of a Changing Landscape’

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Been a longer while than usual since last posted here.  A lot has been going on in the background and of course jobs have come and gone but I have been quiet mainly because I have said enough about transformation from news photography and the such and trying to become a more book/print and gallery photographer and just wanted to get on with it.  Change has taken time for me because it requires a complete change in mindset and outlook not just towards work but in life in gen in my humble opinion.  I am not saying I have established myself yet in this more creative field!  Far from it.  But I feel I have come enough down the path and made enough tentative steps to introduce some of the new long-term projects I have been doing (I have already posted a lot from my first project on a small colored community here in South Africa on past blogs).  I have won some awards that stand out from the usual honorable mentions I usually achieve, managing 3rd Place and Honor of Distinction at the Annual Photography Masters Awards last year for work on one of the long-term projects.  I was also invited onto the internationally-renowned Lens Culture online to show work recently.  Baby steps – but def going slowly in the direction I want my style of work to go.  I will soon though be traveling Europe and Stateside to show a new portfolio which will be the true gauge of how far I have come.

 

I don’t have much more to say about news photography and the such.  But reading my last (ancient) blog and recent events both locally with a massive wild fire here in the Cape and internationally with the controversy raging fiercer than normal over World Press Awards winners, I feel compelled to write one last subsequent blog about it all (yes – I still complain and moan as in the past!). On other fronts – I have been working relentlessly to improve the style and content of my time lapse photography which has been coming along nicely and hope to have a show reel ready some time this year.  I will be doing a very useful workshop at the Palm Springs Festival in Cali with an established master in the genre, Jeff Frost and hope to hone the technique further there.

 

Anyways – the pics in the slideshow are actually from an old resurrected project which I first tentatively started in 2011.  At the time I think I wasn’t ready and am happy now I put it on the back burner at the time – but recently, with a changing style that I feel suits this project more, have brought it back to the forefront.  It essentially aims to visually chart the course of large-scale change about to transform the Karoo desert – a large expanse of sparsely populated land north of Cape Town where little has changed since the days of the first Voortrekkers (English and Dutch settlers who first moved inland away from the Cape Colony in South Africa).  The building of the SKA near Carnarvon (Square Kilometre Array Radio telescope) awarded in large part a few years back to South Africa and the discovery of the 5th largest deposit of shale oil in the world and subsequent exploration and forthcoming mass extraction will see the Karoo undergo the largest unprecedented change since the introduction of the railway in the mid-19th century.  The images in the series aim to at once capture the serenity and beauty of the Karoo but are also riddled with hints of brooding insecurity and doubt that the great change already in progress will inevitably bring to an ancient way of life essentially untouched for generations.

Hangberg and a different type of photography

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Been a while since I last blogged but that’s not to say haven’t been busy.

I’ve hired an assistant to help me out with all the backlog of work  I had accumulated and was dreading to face – mainly helping with the cleaning and keywording of stock library images (which is not what I think she had in mind when she took the job – imagining exciting adrenaline-fuelled work and the such!).  I’ve strengthened my relationship with AMO who I love working with and also began engaging with a lot more with Alamy.

Apart from taking the whole stock library income stream seriously, I’ve also pushed forward on a couple of long-term photographic ideas and brought them through from conceptualisation, to proposal stage and have begun shooting them – one in Hangberg, a poor coloured community set in an amazingly stunning surrounding near where I live. And another in the Karoo – a vast desert expanse north of Cape Town.

The doccie on front-line services working on child rape took a break for a few months.  There have been a few problems concerning access that I have been dealing with and decided to stand back for a bit because the mild pressure I was applying had become counter-productive.  We have decent emotive general interviews now with all the key players except the police in Khayelitsha but what we really need to do is to follow a couple of cases through the system which is proving harder to do.

There is an ongoing Commission of Enquiry into the police force in Khaye at the mo looking into the high level of vigilantism in the township and looking at why the police force may not be stepping into the security vacuum.  This has managed to irk the police there no end and has lead to them being a lot more reticent in allowing access to media and the such.  I think it will happen but in the meantime we have been filming at the Thuthuzela Centre in Port Elizabeth where access is a lot more open.  Doing so has given me untold headaches though in terms of having to re-focus the short doccie away from Khayelitsha which was the main scope and re-writing the entire documentary script to incorporate all of this.

In the meantime, I was happy to work with the journalist Claire Simpson on a piece that gave a bit of publicity on the forthcoming short doccie in Vice magazine (UK) which can be seen here:

http://www.vice.com/en_uk/read/a-lot-of-children-are-being-raped-in-south-africas-biggest-township

As for the photo projects, Hangberg is tentatively ready to put up here (which I have done above) although I realise I am still a very long way off from completion of the project.

I’ve done a lot of blogging about how I would like to evolve my work away from news photography into more long-term book and gallery exhibition projects.  Well – finally I can put my photos where my mouth is.  This is the first such project I am undertaking and has been a great joy to shoot as I’ve always wanted access into Hangberg.  Going back to the Benefits of Teaching Photography blogs I wrote – well, I managed to gain access through one of my more prodigious students I worked with on one of the courses I taught through the local charity Lalela and who now regularly works with me as my assistant in Hangberg.  I will be doing more teaching with Lalela and look forward to the opportunity to work with the kids again.

As for my assistant in Hangberg, he has been a masterstroke and am so happy I had the opp to meet him.  I sometimes walk into his house not knowing whether I will be beaten up or whether he will assist me – such is the look of anger on his face – but he is a solid – ‘all I’ve got in this world are balls and my word and I don’t break them for no-one’ type and trust him completely – so much so that I decided to shoot the project on my Hassleblad.

I have wondered whether it would have been better to shoot the Karoo desert project with the Hassleblad and the Hangberg project with my Canon 5D MkII (soon to be upgraded to MK III – can’t wait to use the new AF system – finally Canon have got it spot on!).  I originally thought that using the Hassleblad in Hangberg would force me somehow to slow down and take more static images rather than working with the faster and more dynamic Canons which would lead to more new-sy type images – smthg I of course have been trying to get away from.  The results have partly vindicated the decision but I have lost a lot of decent images there too mainly in very low-light conditions and esp at night where the Hassleblad struggles and where at ISO 800 (the max on the H4D-40) a lot of noise is introduced into the images.

I worry sometimes that the old reflexes as a news photographer didn’t come to play in the decision to employ the Hassleblad, simply so I can prove to myself I can walk around with it there –  Hassleblad may have got a camera on the moon (their own marketing blurb) but I bet they’ve never had one in Hangberg type thing!

I’ve had one or two hairy moments there – a gangster there told me outright he was going to steal my camera – when I laughed nervously he told me he was in fact very serious – I told him I knew he was but knew also that Denrico (my assistant there) is well-respected in the community and I was safe for now.  The gangster said as much.  Anyway – he was gracious enough to let me photograph him and I have given him A4 prints in return for the favour and we often greet each other now amicably enough.

As I’ve said – there is a long way to go with the Hangberg project but I am happy to put some of the images up now.  I have found the road away from my old type of work long and hard but without any initial feedback – I am happy with the new direction I am taking and with the type of work I am beginning to put out.  I am excited to get the short doccie finished too and know once that (and the Karoo photographic project) is complete, my shift will have been complete and I will be able to offer a new style and services to potential clients.

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